REVIEWS
"Marietta costume company specializes in in Santa and Mrs. Claus"
https://www.myajc.com/lifestyles/holiday/marietta-costume-company-specializes-santa-and-mrs-claus/7RJNtk3rFLE0MHWaOPWLmN/ -
www.myajc.com
In collaboration with costume designer Elizabeth Rasmusson—who designed and sewed both the table linen and a 1950s style dress—objects give a contemporary take on French 18th and 19th pastoral drawings juxtaposed with Civil Rights era protest scenes.
Marginalized and Mythological - theoffingmag.com/art/marginalized-and-mythological/
www.offingmag.com
Costume designer Elizabeth Rasmusson dresses the entire cast sharply with the piece de resistance a long purple velvet coat trimmed with black fur worn by Arthur’s cousin, Miss Anne de Bourgh (Galen Crawley).
Miss Bennet: Christmas at Pemberley - www.ajc.com
Elizabeth Rasmusson’s costumes remind one of “Downton Abbey”: need I say more?
Miss Bennet: Christmas at Pemberley - www.atlantaintownpaper.com
Isabel and Moriah Curley-Clay have created a set with (dare I say it?) stairways to heaven. They are ceaselessly creative. And I love Elizabeth Rasmusson’s beautiful costumes.
Silent Sky - www.atlantaintownpaper.com
Cogen is a knockout in designer Elizabeth Rasmusson’s sensational costumes, and she invests a half-dozen or so big songs with considerable panache.
Kiss of the Spider Woman - www.ajc.com
Philip Male’s set and scenic designs are masterful; Elizabeth Rasmusson’s costumes, especially for Aurora and Molina are suitably fabulous.
Kiss of the Spider Woman - www.atlantaintownpaper.com
The set is essentially the same as last winter's "A Tuna Christmas" at the same space. It's a lovely set, and Mary Parker's lighting design adds some nice effects, such as twinkling stars and fireworks. The four chairs are arranged in various configurations to suggest different locales, but it's the costumes by Elizabeth Rasmusson that really set the different scenes.
Red, White, and Tuna – www.theatrereview.com
With his butterfly blue bow tie and camel, nipped-waist coat (expertly assembled by costume designer Elizabeth Rasmusson), Bosie is the very picture of sartorial self-regard, every gesture of cruelty drawing the helpless, beauty-drunk Oscar deeper into his dandy trap. With his delicate features and butterscotch hair, Guterman is a Steiff bear with agency, expensively adorned and irrepressibly adorable.
The Judas Kiss - www.artscriticatl.com
On the design side, Elizabeth Rasmusson delivers dependable, appropriately contemporary costumes.
Becky Shaw - www.accessatlanta.com